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Final Cut Pro - Motion - Apple.Apple Release Final Cut Pro , Motion , and Compressor Updates |
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One final note, the Colour v Sat control at the bottom is set to Orange by default as this matches up to skin tones. As you can see, the combination of wheels and curves gives FCPX some very powerful colour correcting that's logically laid out and easy to use.
We are sure that more editors will finish grading their projects in FCPX without having to roundtrip to another grading solution. Back to our 12 second clip.
With one colour correction applied using the wheels, it took 4 seconds to render. To prove the point we went mad and added 7 more instances of colour correction, one with a mask. The clip rendered in 11 seconds, so obviously some concatenation going on there which is good to see.
The bottom line is you can stack as many of these up as you want! Although you can reorder the colour corrections, the Balance Colour and Match Colour effects appear at the top of the Effects list by default. Also the controls are independent, so you can still access the colour information for a mask if you have made the image black and white in a previous instance of correction.
Here you can see the toggle assigned to F8 in the custom keyboard commands. Should you import projects from iMovie, you will have the option in the Inspector to turn off the iMovie colour adjustments. You might have wondered where the new auto white balance tool is in the panel.
It isn't. The automatic white balance is an option in the Balance Colour effect which gets applied to media by selecting the magic wand under the viewer or hitting OPT CMD B on the keyboard.
Dragging the eyedropper around on footage corrects the whites that should be whites. Have you been having to use a custom LUT loader plugin? These are not only available in the effect, but can also be applied on clip level in the Inspector. You can import 3D LUT files with the filename extensions. You can select single files, multiple files, or a folder of files.
There are a couple of new camera import plugins released. H doesn't appear as an option in the export dialogue, you have to create a compressor preset to use within FCPX. Expect file sizes to be halved with the same picture quality. The second large feature update is the addition of degree VR editing. We have to confess here that we don't edit in , but we do see the immersive format having a niche within the industry, so it is good to see Apple supporting this in It is important to point out that the tools are built-in to Final Cut Pro and these allow the editing of equirectangular footage right in the app.
It can also handle large resolutions such as 8K and beyond. Provided you have a fast disk drive attached! Playback can be independent onscreen whilst also outputting to a VR headset for viewing. Which will follow the head movement The currently supported HTC Vive gets a minimum refresh rate of 90 Hertz to avoid that seasick feeling. Sadly, the patch tool doesn't work on normal 'flat' footage.
Maybe a project for a bored engineer to convert it over Christmas? What should be stressed here is that Apple has made it very easy for the user to edit in No fudges or workarounds, everything should just work. All the user has to do is select a new monoscopic or stereoscopic project. Although FCPX is good, it won't do the stitching, that has to be completed before importing the footage.
XML 1. Will we see grades being transferred over to another app? Does that matter now that FCPX has excellent colour correction tools?
It is also now possible to store Libraries and media on volumes using NFS. With the cost of 10GigE topology coming down, that will become more important with time. Although we are pretty sceptical about the uptake of video, we can see HDR workflows becoming very important in the future. For converting clips on the timeline between formats, there is the new HDR Tools plugin. Sadly, the Multimeter LUFs display is so tiny, it is almost useless.
A real shame now that so many of us broadcast editors spend the day adjusting everything for Hopefully Apple could just build this in as a display option inside of FCPX without having to add a plugin. We will start with a Motion feature that not everybody will appreciate, but for plugin developers, it's huge. You can now convert Motion Projects into Effects, Titles, Transitions or Generators, or back the other way or in-between each other. Before, plugin developers had to make sure they started off with the right type of file and making a similar transition of a generator for example wasn't just cut and paste.
Motion will add the necessary placeholders when converting between different types. Also new is an Overshoot behaviour. This can add 'springiness' to animations and can be applied to an object's many parameters. It animates a parameter beyond its defined end value, before springing back.
Easily locate assets using visual content browsers, then build motion graphics with a logical layers list, full-length timeline, and keyframe editor.
Motion is the best way to build effects for Final Cut Pro projects, including titles, transitions, generators, filters, and more. Save any effect to make it immediately available in Final Cut Pro, where you can apply adjustments right in the video editor. And instantly jump back to Motion at any time for more advanced changes. Publish any parameter to a template, or create rigs that let you control a group of parameters with a simple slider, pop-up menu, or checkbox. If you set up templates with multiple aspect ratios, Final Cut Pro automatically uses the correct layout based on your footage.
Motion boasts an enormous ecosystem of third-party plug-ins and templates that complement the power of the app. Download tools for enhanced tracking and 3D object creation, or choose from thousands of templates with gorgeous titles, transitions, and effects to use as is or customize to fit your project. Learn more about third-party products. Combine 3D objects, cameras, lights, and emitters with other complex elements, and view your results instantly.
For even more stunning results, add cameras to a scene or combine objects with emitters, replicators, cameras, and more. Add an eye-catching glow to any image, shape, or text element with the Neon Filter. Enhance the effect even more by animating its intensity with keyframes. Or combine the filter with tracking behaviors to make moving objects really shine.
Create visual effects in the blink of an eye with Motion on the new Mac Studio. The media engine on M1 Max and M1 Ultra accelerates ProRes playback and export, freeing up the processing power for intensive tasks like rendering particle systems and adding complex behaviours.
Motion features a real-time design engine that lets you see your work immediately, along with a deep set of tools and content for creating and animating complex motion graphics.
Control the timing and position of elements in your animation using intuitive keyframe tools. Use flexible curve interpolation for smooth parameter changes. Draw curves using a freehand tool, or move, stretch, and condense groups of keyframes using the Transform box. Create natural-looking motion without the need for complex calculations using preset behaviors like Gravity, Throw, and Vortex.
Use Text behaviors that animate letters, words, or lines across the screen. Or apply the Overshoot behavior to easily create spring-loaded animations. You can even combine behaviors for more advanced motion animations. Create high-quality animated backgrounds with built-in generators — each with parameters to customize the look and style of the animation. Choose from a collection of standard shapes or unique designs.
All generators can be used as bump maps or textures on other objects — including 3D text. Easily create beautiful 2D and 3D titles that you can animate with drag-and-drop behaviors and intuitive text animation tools. Create text using your favorite fonts and adjust its position, opacity, and rotation.
Manipulate vector-based characters with pristine sharpness, and apply Text behaviors to add complex word and character animations easily. Motion is built on the CoreText engine, which ensures that glyphs, characters, and emoji render correctly every time. Build 3D titles from scratch, design them with easy-to-use templates, or instantly convert any existing 2D title to 3D. Customize your 3D text with over 90 Apple-designed organic and artificial materials — or create your own — and see your results instantly.
You can also download Final Cut Pro Apple has released final cut Pro X The professional video editor also now enables you to regulate ProRes RAW camera settings, crossfade audio on adjacent clips in one step, sort clips and projects by last modified date in list view, and preview degree stereoscopic 3D video in simultaneous left and right eye views.
Compressor adds the potential to convert log-encoded video to SDR and HDR color spaces, enables you to use third-party creative LUTs to footage to feature a custom look during compression, improves speed and reliability using distributed processing over SMB, adds support for playback of PNG movie files, fixes a bug that prevented droplets from recognizing M4V files, and resolves a problem during which image sequences may export with the incorrect color bit depth.
Some interesting features of Motion 5. Click on the button below to start downloading Motion 5 for mac OS X. We are here to provide to clean and fast download for Motion 5.
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